Seen & Heard vol. 2

WEDNESDAY, MARCH 16 – Dr. Dog with The Districts at Stage AE (Pittsburgh, PA)

Perched in what I will affectionately call the Statler and Waldorf seats, I had the chance to see two bands I have liked from afar for the very first time.  In fact, not since Max Talbot was cheered wearing a Flyers jersey upon his return to Pittsburgh in 2011, has anything from Philadelphia gotten as many cheers in the Steel City!   On the very same night in which The Who was playing CONSOL Energy Center we got all the rock ‘n roll distortion that we needed at Stage AE.  The Districts loved their pedals, and highlighted their set with the songs “Long Distance” and their closing jam on “Young Blood” which resulted in lead guitarist Pat Cassidy hanging his guitar on his amplifier.  It was great to see the opening band play to a big, appreciative crowd and I believe the headliner heard the encore chants and came out swinging.  

Not to be outdone, the dueling lead vocals of Toby Leaman (vocals & bass guitar) & Scott McMicken (vocals & lead guitar) of Dr. Dog kept me on my toes for their entire set.  Knowing songs but not too many actual song titles, I was hoping for setlist.fm to populate in front of me during the show but that would have diverted my attention from the music taking place in front of me.  I really enjoyed the layers of instrumentation, the band’s contagious energy and the musical quirkiness that is Dr. Dog.  “That Old Black Hole” was a song that I recognized and that jumped out at me and overall, it is quite possible that those in attendance might have witnessed an early-frontrunner for concert of the year.   

WEDNESDAY, MARCH 23 – Galactic at Rex Theatre (Pittsburgh, PA)

Being a touring musician can be a grind, however, the core of musicians that make up the band Galactic has largely remained intact for two decades.  The band has released over 10 albums and can annually be found headlining a stage at Jazz Fest in New Orleans when not touring.  However, there was something about their recent performance at the Rex Theater that did not allow me to make a connection with the music.

The version of the band that I saw, while extremely talented, still had me racking my brain for what I really wanted to be hearing.  Coming right out of the gate with a funk jam that got the sold out crowd moving, the band’s set seemed to cool off just as quickly when they added vocals.  I knew it would not be a full instrumental set, but I believe that is where the band was at its best last night.  Drummer Stanton Moore, keyboardist Rich Vogel, saxophonist Ben Ellman and arguably the only rapping trombonist, Corey Henry lit up the room with their solos. 

These observations led my friend J.J. and I to contemplate how many bands/artists do you want to go see perform live after years since hearing them for the very first time?  It has been 19 years for me since first hearing the funky beats from the song “Go Go” at a record store in New Orleans.   And while Galactic continues to be a great band and evolve (check out their new single “Into The Deep” from their new album of the same name) there is part of me that wished that I had passed my tickets along to the kids outside who were looking to capture their first Galactic moment.  

Thanks for reading.  RIP - Malik "Phife Dawg" Taylor. 

Don’t quit your day job.

Am I the only person who has ever wondered what Fred Flinstone was listening to as he hopped into his car after a long day as a "bronto crane operator" at Slate Rock and Gravel Company?  I like to think that he was hearing Workingman's Dead, the fifth album by the band the Grateful Dead.   According to one interview with legendary front man Jerry Garcia, the title of the album comes from the band returning to the Pacific High Recording Studio in San Francisco to record the album in nine days, after taking approximately 7 months of studio sessions to record the album's predecessor, "Aoxomoxoa".  And on some days, maybe Mr. Flinstone was hearing the Rush song, "Working Man" which includes the lyrics, "I get up at seven, yeah/And I go to work at nine/I got no time for livin'/Yes, I'm workin' all the time".   There are many artists who work extremely hard to become full-time musicians: some wearing many hats to get there and others who show a diverse skill set to maintain their place in the world of music.

My friend Jeff S. called Stone Gossard the working man’s musician.  Primarily known as the rhythm and lead guitarist for Pearl Jam, but he is also a songwriter.  8 of the 11 tracks on Pearl Jam's debut album, "Ten", were musically written or co-written by Gossard, including "Alive" & "Even Flow".   Gossard is also a lyricist.  He penned the "Yield" song "All Those Yesterdays" and the "Binaural" song "Thin Air".   Not limited to being in the spotlight, Gossard's credits also include working as a producer.  His most notable production roles with the bands Satchel, Green Apple Quick Step and Critters Buggin’.  And to top it off, all of his production work comes from within the walls of his own recording studio, the prestigious Studio Litho, in Seattle which still operates today, with Gossard as the owner.

I also think of Ahmir Khalib “?uestlove” Thompson who has written, performed and produced for his own Grammy Award winning band The Roots.  Known for a jazzy and eclectic approach to hip-hop featuring live musical instruments, The Roots have risen from the streets of Philadelphia (a well-intended nod to blue collar musician Bruce Springsteen) to record a Top 40 song,  "You Got Me" and are now the house band on NBC's Late Night with Jimmy Fallon.  And although he is best known as the drummer and joint front man, Thompson also works as a DJ, journalist, arranger and record producer.  He has produced for such heavy-hitting artists including Elvis Costello, Erykah Badu and Jay-Z.  He has also played drums on John Mayer's song "Clarity" and he has arranged and drummed on Joss Stone's cover of the White Stripes' "Fell in Love with a Girl".

It appears that it is this non-stop work ethic that separates those musicians just happy to create their own music and those driven to take it to another level.  Those artists willing to recreate themselves and lend a hand to all parts of the music making process.  “Yabba-Dabba Do”. 

Thanks for reading.